María Valle Soriano is a professional with more than 8 years of experience in the visual effects industry. Born and trained in Granada, she has worked in a wide variety of roles within the VFX world, standing out especially as CG Supervisor at Amuse, where she leads multidisciplinary teams and oversees projects of creative diversity.

Throughout her career, Maria has had the opportunity to contribute her talent to major productions such as Dune, Aquaman, Love, Death & Robots and the Ripley series, collaborating with internationally renowned companies such as DNEG, Cinesite, Axis Studios and Redefine. In all of them he held roles as Lighting Lead/Supervisor, combining his technical skills with a strong artistic vision. In addition, her passion for teaching has led her to be a teacher of the Master of Lighting at Voxel School, sharing her experience with future artists in the industry.

Paul is the CCO and co-founder of Factory Fifteen. He specializes in directing branded content and experiential projects. Paul has crafted content for the biggest screens in the world including The Sphere, The BBC Tokyo Olympics, Woolmark Fashion Show, and Holiday Joyride for Kia cars. He was selected for the Saatchi & Saatchi New Creators Showcase at Cannes Lion and won a BAFTA for his Tokyo Olympics titles.

Visual Effects & Virtual Production Supervisor specialized in feature films, with a digital compositing background, extensive photography and lighting fundamentals and a strong interest for filmmaking, 3D, maths, programming and colour workflows, who loves learning every minute on the high-end of a passion built for many years.

In the field of Visual Effects, he has extensive experience in productions such as The Mummy, The Jungle Book, Pirates of the Caribbean: Salazar's Revenge or Los Renglones Torcidos de Dios among others.

With a 20-year career in the audiovisual and entertainment industry, Verónica has been executive producer of animated series and feature films, and has worked on the global expansion of animated projects such as Pocoyó, Miraculous Ladybug, Gormiti or YugiBao, establishing strategic alliances, co-productions and commercial agreements with studios, channels, platforms, distributors and licensees from Korea to Canada, passing through Europe and Latin America. She is also a lawyer in intellectual property, audiovisual and digital law.

Her commitment to animation goes beyond production; she works to strengthen the industry through the promotion of diversity and equal opportunities, the internationalisation of projects and the consolidation of sustainable business models for animated content, in which the transmedia, digital and technological component is increasingly important.