Christina works as General Manager at TRIXTER & Executive Producer of the Cinesite Group. TRIXTER is one of the leading VFX studios in Europe and part of the Cinesite Group. With her team, Christina works primarily for international clients, as well as large scale streaming service providers. In her position, Christina is responsible for the day-to-day business across all ongoing and potential new productions from acquisition to final delivery. As technology in the film and especially post-production industry continues to evolve at an ever increasing speed, and audience watching habits change as well, the use of the most current technology is absolutely essential in order to be at the highest industry standard not only budget-wise but creatively as well. At TRIXTER, Christina is responsible for the evaluation of these latest technologies and their tailored application to each project. Additionally, she serves on the Advisory Board of TechX, Cinesite’s dedicated unit for exploring Generative AI technology.

Before coming back to TRIXTER, Christina was Managing Director at Dark Bay, Europe’s largest virtual production stage. In this role, she oversaw the daily productions and supported and consulted shows from the scriptwriting process to the final image in all virtual production-related topics. The volume, one of the world’s largest LED-installations, was used, among others, for the filming of the Netflix series 1899.

With a background in VFX and XR, she previously also worked on shows like The Sandman Season 2,  Predator: Badlands, Loki Season 1 + 2, Caught Steeling, Honey Don’t, The Marvels, Foundation Season 2, Murder Mindfully, and The Family Plan just to name a few.

In addition to her work at Cinesite, Christina is co-founder of IIM (Institute of Immersive Media), an NGO that brings together the creative and technical aspects of film shooting, pre- and post-production in workshops and at film festivals."