With over two decades of experience, Abraham López Guerrero has established himself as an internationally recognized figure in the world of 3D animation. His work has crossed borders, bringing vibrant and visually stunning stories to the screen that have captivated both audiences and critics alike.

A member of the Spanish Academy of Cinema, his career spans an impressive range of work, from advertising spots for global brands such as BMW, Adidas, and Disney, to the development of large-scale projects: tv shows and feature films.

Winner of the 2021 Goya Award for Best Animated Short Film and selected to the Academy Oscars with Blue and Malone: Impossible Cases, Abraham stands out not only for his technical expertise but also for his ability to infuse soul into every project he undertakes. Trained at the International School of Cinema and Television in San Antonio de los Baños, Cuba, his academic background encompasses animation, filmmaking and managing big teams, tools he has mastered to approach each of his projects with a unique narrative perspective. 

His filmography as both director and animation supervisor includes the series Clanners for RTVE, the feature film Deep from The Thinklab Media and the international co production Dragonkeeper, works that showcase his versatility and innovative vision within the field of animation.​​

Carolina Jiménez García is a communicator, educator, and promoter of cinema and her profession, visual effects for international cinema. She was born in Madrid, where she studied architecture, but computer animation and digital visual effects caught her attention, and she decided to change course and study to pursue her new vocation. She has worked in countries such as Australia, the United Kingdom, New Zealand and Canada, where she has worked as Lead Layout Artist at Scanline VFX.

She has worked under Ridley Scott, George Miller, Peter Jackson, and Tim Burton, among others. Her filmography includes films such as Prometheus, The Hobbit trilogy, Star Trek Beyond, Guardians of the Galaxy 2, Planet of the Apes 2, Justice League, Ant-Man and the Wasp, Eternals, Joker, and Terminator: Dark Fate. She is part of the team that recently received an Emmy Award for the visual effects in the final season of Game of Thrones. She teaches on educational platforms such as Domestika and VFX Dailies, and is a volunteer educator for initiatives such as Skype to Scientists, Inspiring Girls, Mentos, and WomanTech.

She regularly appears on radio and television programs as a visual effects expert and film expert, participates in podcasts and film broadcast programs, and advises film schools and audiovisual productions in the field of VFX.

Her passion and enthusiasm for sharing the details of her work are contagious and have inspired many. She spends her free time giving talks and lectures, and creating articles and videos explaining the ins and outs of her profession. Her Twitter threads on cinema are remarkably popular. Her work has a special impact as a female role model for advancing in the artistic and technological world, helping to close the gender gap. In June 2019, she received the “Redes Sociales con Cultura” (Social Networks with Culture) award from the Alcazaba Awards for “her contribution to new technologies to expand culture.” Also passionate about science and scientific dissemination, her research article El Informe Mamberry (The Mamberry Report) received the Tesla Award for dissemination.

She currently divides her time between Gran Canaria and Madrid, from where she carries out all these activities.

Graduated from ESMA in 2008, Rémy has worked on international productions such as Shrek 4, Puss in Boots, Madagascar 3, Sing! and Gru, my favorite villain 3 before joining Fortiche Production, where he has been for 8 years.

At Fortiche, he was Lead Animator and then supervised animation for season 1 and 2 of Arcane. Based for the last 5 years in Las Palmas, Rémy is at the heart of the creation and development of the studio, where he leads the teams and actively participates in new projects.