The experience of a complex production, with more than 40 virtual sets, and 80% of the film’s runtime planned to be shot at the Gran Canaria Plató LED stage, has provided us with clear guidelines on how to approach a project of this nature.

In this talk, Ferrán will show how, through close collaboration between Virtual Production (VP) and VFX, they made a shoot with very high technical demands possible, completed in just 21 days, and which on-set decisions were taken to ensure the project’s final viability.